Friday, October 24, 2014

Hexed Book Blast: Giveaway for the Whole Series by Stephanie Nelson (Signed Paperbacks)!

Hexed
Everything and everyone has an expiration date, including Gwen Sparks. When Dorian, the Angel of Death, saved her, he did more than bend the rules: he shattered them.

When Gwen’s memories are stolen, the balance of life and death shifts, and magic goes on the fritz. Dorian realizes that even the angel of Death must face consequences for his mistakes. Everything and everyone has an expiration date, and time is running out for Gwen. If they don’t find a solution, Gwen’s borrowed time will come to an end, and Dorian will lose the woman he risked everything for.

Both will have to make a life-changing decision. Dorian’s choice will result in either altering his very existence or losing Gwen forever. Gwen will risk everything to right Dorian’s wrong, and her decision may just result in her death.

This book includes an Aiden Blake short story. You've heard Gwen's side. Now hear his.


Reading Order
Craved - Amazon / Barnes & Noble / Only $.99 ebook / Audiobook - Audible
Deceived - Amazon /Barnes & Noble /Audiobook - Audible
Coveted - Amazon / Barnes & Noble /Audiobook : Audible
Hexed -  
Amazon / Barnes & Noble /


Due to sexual content and language, this book is intended for readers 18+

Stephanie Nelson is giving away a signed set of her series to one lucky winner. Open to US residents. Ends November 7, 2014 @ 11:59 PM EST. Enter through the Rafflecopter form below.

M9B Friday Reveal: Chapter One of "Lucas Mackenzie and the London Midnight Ghost Show" by Steve Bryant and eBook Giveaway (3 Winners) #M9BFridayReveals

M9B-Friday-Reveal
Welcome to this week’s M9B Friday Reveal!
This week, we are revealing the first chapter for

Lucas Mackenzie and the London Midnight Ghost Show, by Steve Bryant

presented by Month9Books!
Be sure to enter the giveaway found at the end of the post!
Lucas MacKenzie eBook Final
Lucas Mackenzie has got the best job of any ten-year-old boy. He travels from city-to-city as part of the London Midnight Ghost Show, scaring unsuspecting show-goers year round. Performing comes naturally to Lucas and the rest of the troupe, who’ve been doing it for as long as Lucas can remember. 
But there’s something Lucas doesn’t know. 
Like the rest of Luca’s friends, he’s dead. And for some reason, Lucas can’t remember his former life, his parents or friends. Did he go to school? Have a dog? Brothers and sisters?  
If only he could recall his former life, maybe even reach out to his parents, haunt them. 
When a ghost hunter determines to shut the show down, Lucas realizes the life he has might soon be over. And without a connection to his family, he will have nothing. There’s little time and Lucas has much to do. Can he win the love of Columbine, the show’s enchanting fifteen-year-old mystic? Can he outwit the forces of life and death that thwart his efforts to find his family? 
Keep the lights on! Lucas Mackenzie’s coming to town.
add to goodreads
Title: Lucas Mackenzie and the London Midnight Ghost Show
Publication date: November 18, 2014
Publisher: Month9Books, LLC.
Author: Steve Bryant
Chapter-by-Chapter-header---Excerpt

Lucas Mackenzie and the London Midnight Ghost Show
By Steve Bryant
Chapter One
Ghost Story
It was a chill, gooseflesh evening, thanks to the damp ocean air and to ghostly expectations. Thin black clouds scuttled past the moon like witches on broomsticks.
Far below, on an eerily empty California street, a delta wing Buick Electra neared a little theater. The four high school girls in the car shivered, surprised to find themselves so alone at this late hour. A line of empty cars stretched down the block to the black Pacific, and streetlamps glowed faintly in the mist. This was the San Diego community of Ocean Beach, a few heart palpitations shy of midnight.
“Sweet Mary,” said the Ponytail at the wheel. “The show must have started already. Who would have thought ghosts were so punctual?”
“Shut up!” said the French Braids seated beside her. “Ghost stories give me the heebie-jeebies. I can’t believe we came down here tonight to see dead people.”
The car entered the oasis of light cast by the theater itself. Although The Strand’s daytime fare ran to Elvis Presley and surfing movies, its illuminated marquee on this ghost story evening promised far more than Love Me Tender and Sandra Dee.
ONE NIGHT ONLY!
PROFESSOR MCDUFF AND HIS LONDON MIDNIGHT GHOST SHOW
SPOOKS RUN WILD IN AUDIENCE
PLUS
ALL-STAR CREATURE FEATURE
“Creepy!” said the Toni Home Perm in the back seat. “I think that skeleton in the window just looked at me.”
“Drive on by!” said the Poodle Cut beside her. “Let’s go home. I have a feeling. I think something is wrong with this show.”
* * *
Inside the little movie house, in the tiny projection booth at the top of the narrow winding stairs, a little boy peered through the small square window. His name was Lucas Mackenzie, and he was ten years old. Lucas felt as though he had been ten forever, and there seemed to be nothing he could do about it.
On stage at that moment, a magician in a smart black tuxedo and a red turban stood still as death, his dexterous hands moving only as his mysteries required. Professor Ambrose McDuff, as pale as storybook vampires in the glow of a single spotlight, showed both the fronts and backs of his hands to be empty, then plucked fans of playing cards from the air. Individual cards fell from his fingertips like rose petals falling upon a grave.
But despite the Professor’s eerie mastery of nineteenth-century card manipulation, this was 1959, and audiences demanded more. Lucas knew that the couples on hand were impatient for the theater to be plunged into total darkness, that the teenage boys on hand were hoping for something more dramatic than snatching jacks and aces from the air. This was supposed to be a ghost show, and the crowd—if the pockets of teenagers scattered about the theater at this late hour could be called a crowd—was tiring of card tricks.
“Come on, Pops,” someone shouted. “Let’s see some ghosts!”
A narrow cylinder of light sliced through the darkness as a young usher aimed his flashlight beam at the outburst. “Quiet! I’m warning you!”
“Aw, who’s gonna make me?”
On stage, a royal flush appeared at the magician’s fingertips.
Beautiful magic is not to be rushed, the Professor always said. There would be time soon enough for so-called ghosts.
Nevertheless, Lucas rolled his dark eyes in response to the outburst below—a shame, he felt, as he loved the Professor’s card tricks—and concluded that it was time to move the show along.
He wore a set of large black metal headphones, and he spoke into the grille of a gray bullet microphone. “Bravo, Professor. Nice work. Yorick is set to go on, and then Alexandra. This crowd should love the Juan Escadero number.”
As Lucas knew, Professor McDuff, could hear him perfectly thanks to earphones concealed beneath his red turban. Lucas had designed the show’s secret radio network—the entire theater was wired with microphones and receivers—and was very proud of it. It had been his first contribution to the show. Before Lucas’s time, electronic communication relied on copper plates in the bottoms of the Professor’s shoes, and on long copper wires hidden under the runway carpet, a holdover from the Second Sight mind-reading acts from the thirties.
No one would suspect the simple arrangement of the Professor’s next exhibit of using hidden electronics or secret mechanisms. He placed a glass shelf across the backs of two chairs, and atop this innocent platform he placed the centerpiece of the demonstration, an oversized human skull in a red sombrero.
The reaction was immediate. As Lucas expected, the agitators in the audience fell silent. At least this skull in the red hat looked as if it belonged in a spook show. Its eye sockets and nose cavity were dark hollows, its teeth a fixed, mocking grin.
The Professor tossed decks of cards into the audience and instructed three boys to stand and take a card. Could this “Juan Escadero,” proclaimed by the Professor to be the “floating, talking head of one of Mexico’s most notorious card cheats,” look into their minds and identify their cards? Could anyone?
The ivory-hued head on the glass platform twisted from one boy to the other.
“Ay, amigos,” it said, in a voice that sounded like Speedy Gonzales. “My Inner Eye sees all. No one keeps secrets from Juan Escadero. Could you be thinking of the king of hearts? And you the two of spades? And the ace of diamonds for the muchacho in the middle? Please be seated if I am correct.”
Instantly the three spectators sat down, and the audience rewarded the disembodied card sharp with applause and whistles.
As always, uncertainty rippled through the theater.
A wise guy in row 4 voiced his solution. “It’s a hidden microphone,” he said. “Someone behind the curtain is speaking into it.”
Another boy said, “It’s the old man. He’s doing it. It’s nothing but card manipulation and ventriloquism.”
A third shouted, “Hey, Pancho. What about the floating?”
The audience gasped as the skull suddenly turned, ever so slightly, in the direction of the challenge. For the first time the thing appeared to be genuinely alive, as though it had heard the comment.
“Ay, mi cabeza,” the skull said. “I feel so light-headed.” At which point the talking skull rose two feet in the air above its glass shelf. The ghastly thing bobbed in space, its red sombrero at a jaunty angle, its mouth open in a gaping grin. Lucas grinned too as the audience again broke into appreciative applause.
“Threads,” said a worried voice in row 10. “It’s gotta be threads.”
Lucas hoped for a similarly warm reception to Professor McDuff’s next magical presentation, the Houdini Metamorphosis Trunk. As the Professor introduced a wooden packing case large enough to conceal a dead body, Lucas cued Alexandra, one of the lovely Gilbert triplets. Though the three Gilbert girls were only twenty-two, they treated Lucas as though they were his mom. Tonight, it was Alexandra’s turn to do the box trick.
“Thanks, kiddo,” she said from a communication console in the wings. “I’m set. I love these California kids. They think I’m the ginchiest.”
The teenagers whooped and whistled as the beautiful Miss Gilbert strutted onto the stage in a black crepe dress. A red bow adorned her long blond hair, and her movie-star figure was breathtaking. She threw kisses to the audience and winked at Lucas in his booth.
The trunk, Lucas observed with pride, was old and creepy, weather-beaten, and just too darn real—like something that might have been found at night on a dock. This was no glitzy magic shop prop. The Professor locked the lovely Alexandra inside, the lock snapping shut with a heavy clunk.
The magic itself was spooky, like a dissolve in a monster movie when a man turns into a werewolf. Lucas loved the movie I Was a Teenage Werewolf and wondered what it would feel like to change. What if your muscles bulged until they ripped your shirt, if the fur of a wolf sprouted from your face, if your teeth became deadly fangs, all in a matter of seconds? Would teenage girls be frightened, or would they admire you?
The Professor made it look so easy. One moment he was standing on the box, hidden behind a large cloth. After a mere flicker, the cloth fell away and revealed a liberated Alexandra standing in his place. She then wiggled off the box, opened the formidable padlock, and produced the Professor from within.
The cast was proud that magical insiders would swear the exchange could not take place so quickly. It must be a new invention. According to reports in the leading conjuring magazines, the great Blackstone himself had seen the show in Cleveland and had left the theater shaken.
“It’s just the old switcheroo,” a boy in row 8 rationalized. “It’s a sliding panel. They all do it.”
But now it was Lucas’s turn to tremble, high in his aerie. His favorite part of the show was coming up. With both hands he adjusted the headphones, and he faced the microphone, paralyzed. Seconds ticked by.
He forced her name out at last. “Uh, Columbine?” His voice squeaked. “Ready? You’re up next.”
“Of course I am, Lucas.” The words danced in Lucas’s headphones. He had said her name. She had said his. It was the highlight of every performance. “I’m a mystic after all, a seer. And, Lucas, I think you should look behind—”
Just then something cleared its throat behind Lucas.
“AAUGH!” the boy yelled, startled to realize he wasn’t alone. Lucas turned to find a behemoth of a man standing behind him. The man might have been a stunt double from a Frankenstein movie, except that he was too tall and, perhaps, too green. His short black hair carpeted a flat head, and he wore a loose fitting brown suit with a brown bow tie. The two of them barely fit in the room.
“Oh, it’s you,” Lucas said. “For a moment you gave me quite a start.”
They both laughed. It was a private joke between the two of them, a riff on a favorite Charles Addams cartoon. Lucas felt the fellow, whose name was Oliver, looked a little too much like the servant in Mr. Addams’ spooky cartoons.
“Greetings, Master Lucas,” said Oliver. “I thought I should drop in to ascertain that you hadn’t swooned from love. I wouldn’t want to find you incapable of performing your duties.”
“You’re soooo funny,” Lucas said. And then he slapped his forehead and turned back to the microphone.
“Uh, sorry, Columbine. Good luck. Just follow the Professor’s lead.”
Lucas looked through his little window with concern. The theater was musty, a consequence of being so close to the ocean. “It’s such a small house tonight,” he said. “I hope she doesn’t take it personally.”
“What’s the count?” Oliver asked.
“I’m thinking only 150 or so,” Lucas said. “And this theater seats 800.”
“My, my,” his large friend said. “A pity. Goodness, we drew 3100 at the El Capitan in San Francisco, back in ’42. And 4000 a year later at the Bijou in Cincinnati. That’s a lot of screams.”
Audience numbers had been dwindling for some time, and night after night Lucas became more disheartened. Could the show actually come to an end some day if people quit coming? If the cast dispersed, where would he go? To be adrift, alone, was unthinkable, like stepping into a black abyss. And more importantly: where would she go?
But at that moment she was about to take the stage, and the teenagers who were on hand welcomed her warmly when the Professor introduced her as “the Teenage Telepath, the Diva of Destiny, the Psychic of the Century—the sensational Columbine.”
She strode onto the stage, this tall, thin, stargazing girl of fifteen years, with midnight black hair. She wore a plain white shift, and her skin was fair and moonbeam pale. The only color on stage was the girl’s lips, afire with red lipstick. Most would judge her to be six feet tall, though she would insist she was no more than five eleven. Her dark eyes turned to the crystal ball resting in the palm of her right hand.
The audience suddenly became very quiet. One boy coughed, apologetically.
“Okay, Eddie, let’s sell this,” Lucas said into his microphone.
The theater suffered from an ancient wiring system and a shaky bank of lights, but they were not a problem for Eddie, the Lighting Guy, hunched in the back of the building. Lucas watched as Eddie bathed Columbine in a blue spot. She looked ethereal. A Columbine performance was like a religious experience.
“This girl is like putty in my hands,” Eddie said into his microphone.
Lucas hated it that Eddie thought he had Columbine wrapped around his little finger. Ever since she had joined the cast, over two years ago now, Eddie had strutted about as though he were her boyfriend. Columbine herself seldom seemed to notice him, but Eddie just passed this off as her distant personality. “That’s just my girl,” he would say. “We have an understanding.” Lately she spent most of her private time listening to Buddy Holly records and consulting her astrological charts.
Oliver and Lucas leaned their heads together as both attempted to see through the little window at the same time.
“What’s that I hear?” said Oliver. “That unearthly tapping? I’d call it a rhythmic tapping, but it keeps skipping beats. Certainly it couldn’t be, oh, your heart?”
“Quiet, you big goofus,” Lucas said, “or I’m cutting your minutes.”
In the audience, hands exploded into the air, vying for the pale seer’s attention. All the teens wanted their fortunes told.
Columbine turned her lovely face from one longing soul to another. Her gazing-glass visions began.
To one girl, she said, “There is a jukebox, at a place near the beach. The moon has just risen, and the lights are dim. Johnny Mathis is singing ‘Chances Are.’ You will dance with one boy, but another will cut in. He’s the one!
To a boy, she said, “You are in a roller skating rink, and there is organ music. It’s a couples skate, and the song is ‘Volare.’ There is a girl who shows up on Saturdays, with a long blond ponytail. This time you won’t be too shy to ask her to skate.”
And then, “Oh, dear,” she said. “In the third row. I am sorry. Your girlfriend will see the scary movie The Blob with another boy. They will sit through it twice.”
A whispered argument broke out in the third row.
“Big deal,” said a boy in row 12. “That ball is probably just one of those Magic 8 Balls.”
“Or she could have looked this stuff up in this morning’s horoscope,” said another. “In the paper.”
“Yeah, but I’d sure like to take her to the prom,” said still another.
Lucas sat with his mouth open as this astral Miss Lonely Hearts spun out her prophecies. The crystal in Columbine’s hand turned slowly, casting streaks of ice blue across her enchanting face. To look at her was to believe her, to not look at her was impossible.
“My public awaits,” said Oliver. He passed a large hand back and forth before Lucas’s goggled eyes, but the boy didn’t blink. “You’re a lost cause, Master Lucas.”
The big fellow left, closing the door behind him.
“I don’t know what to say to her,” Lucas said, his eyes still drinking in this witch-girl vision in blue. “I never know what to say.”
He adjusted the microphone and reverted to his professional voice. What Lucas lacked in adult vocal register he made up for in authority. “Okay, everybody. Let’s wrap it up for Columbine. Flowers, please, Professor. Oliver is up, and then into the blackout. Stations, everyone. It’s ghost story time.”
Professor McDuff returned and made a big to-do of presenting Columbine a bouquet of blood-red roses, then escorted her offstage to continued applause and whistling.
At the edge of the stage, with the girl safely in the wings, the Professor turned again and explained the rules of the blackout to the audience. “One: remain seated. Two: no flash photographs—our ghosts are bashful. And three: if something cold and dead should put its hands around your throat, you can always scream. And now,” the Professor added over the audience’s nervous laughter, “I give you the Curse of Frankenstein!”
Fog oozed across the stage floor, lightning flashed, thunder rumbled. Lucas gave birth to all three effects: a thick white cloud issued from his Vapor-250 Atomizer, simulated lightning exploded from a bank of flashbulbs, and thunder from his Hollywood Sound Effects phonograph record erupted from speakers the size of refrigerators. With a deft replacement of the phonograph needle, he threw in one more extended rumble for good measure.
“Ka-booooooom!”
On this note, Oliver lurched out, doing his best to look like the Frankenstein monster from the movies. His green hue, some last-minute Hollywood stitches, and a pair of sparking neck electrodes constituted special effects that rivaled those of the best Hollywood monsters. The teenagers granted him full attention as the hulking actor grimaced, spread his arms, and began his recitations.
Oliver’s low voice gave life to a selection of spooky rhymes. James Whitcomb Riley’s famous orphan told her witch tales, Edgar Allan Poe’s black bird perched ominously, Shakespeare’s witches issued their dire portents.
But as entertaining as the actor’s recitations were, and despite his looking like someone to avoid in an old castle on a rainy night, his welcome began to wear on his young audience.
“This isn’t the ‘Curse’ of Frankenstein,” an anguished voice said. “It’s the ‘Verse’ of Frankenstein.”
The teens in the front rows began to throw things at the stage. Milk Duds, Chuckles, Tootsie Roll segments, and a hailstorm of popcorn filled the air. The “monster” waved these trifles aside as he continued his soliloquy.
“That should do it,” Lucas said into the mike. “Cue the McClatter boys.”
In military formation, six life-sized skeletons marched onto the stage. Two of them wheeled out an enormous guillotine as the others restrained Oliver.
“Cool,” said a boy near the front of the theater. “Marionettes.”
The skeletons dragged Oliver to the guillotine and forced his head through the opening. The device’s steel blade loomed eight feet above.
“Murder most foul,” Oliver cried.
With a smiling glance at the audience, one of the skeletons pulled a lever, and the heavy metal blade dropped with a sickening thunk.
The audience gasped.
At first, nothing happened, as though the blade had passed through Oliver’s neck without harming him—the old magician’s trick. Then gravity set in, and Oliver’s head slid down the face of the thing, leaving a bloody red stain, and fell to the floor. It rolled toward the audience, wobbling this way or that as an ear or nose went round.
“EEEEEEEK!” the girls in the audience screamed as one.
The oversized green head stopped just at the edge of the little stage. Its eyes were open and looking about wildly.
The headless remainder of Oliver himself lumbered to its feet and began swinging its huge arms, knocking two of the skeletal McClatters aside in the process. On a quest for its head, it began walking toward the audience, with its arms held straight out, like a sleepwalker‘s. Just as it was about to step off the stage into the audience, Lucas directed Eddie to plunge the theater into total darkness. Even the blue illuminated exit sign faded from view.
This time, everyone in the audience screamed. The blackness was terrifying.
Lucas’s fingers played over the keys and toggles on his control panel, creating further screams, moans, and thunderclaps.
The phonograph needle settled into a recording of “Zombie Jamboree” by the Kingston Trio. The McClatter boys, being phosphorescent and therefore visible in the dark, lined up like a Las Vegas chorus line at the edge of the stage and began dancing a frightening mountain jig. “NOOOOOOO!” More panicked teenagers screamed.
“Launch the aerials,” Lucas commanded.
Flying in formation, three glow-in-the-dark female ghosts soared low in the darkness, just above the audience’s heads, their arms trailing alongside their bodies. At first the boys in the theater oohed and aahed over their pretty faces and their scandalously loose shirts and their pale green glow.
“Hey!” a girl shouted angrily. “I thought you came here to kiss me!”
“It’s a slide projector,” said a boy in row 10. “They’re shining it onto the ceiling.”
“Cheesecloth,” said another ghost show pundit. “I’ve read about this. They just treat it with luminous paint and wave it about.”
Lucas loved the idea of gliding over the heads of the audience and wished he could do that. Surely Columbine couldn’t ignore a boy who could fly.
But then the situation turned from romantic to revolting. The youthful faces that fueled the boys’ imaginations began to age at an alarming rate, decades falling away in a flash, until they became the faces of wrinkled hags. Their eyes glowed red. The gentle drift of the ghosts’ initial flight pattern gave way to a whirlwind of rocketing ectoplasm. The ghosts banked and swooped and buzzed their trapped victims. One of the phantoms shot straight up to the roof of the tiny theater, paused, and then dive-bombed back toward the audience. The teens in her flight path leaped from their seats to avoid being struck. Another plunged to the floor and zoomed along beneath the theater seats themselves, in that crusty netherworld of old popcorn and chewing gum. The excited teens leaped up onto their armrests as the spirit light flashed beneath their feet. The third ghost, to the shock of everyone who saw in the dim glow, lifted a boy into the air, planted a slobbery old grandmotherly kiss right on his lips, and dropped him back to earth.
Lucas chose this moment of collective panic, when the entire assembly was on the verge of rushing to the exits—and perfectly timed to coincide with the finale of the skeleton song and dance number—to liberate the crowd from its fears. “Lights, Eddie,” he said into the microphone.
“Got it, Squirt.”
A single bright spotlight, so bright that some had to shield their eyes to look, revealed Professor McDuff standing center stage, smiling. The skeletons, frozen in their final configurations like characters in an anatomy class, drifted backward into the shadows.
The Professor thanked the audience for attending, explained that the goings on had been “our little way of saying boo,” and introduced the feature film, Abbott and Costello Meet Frankenstein, starring Lon Chaney Jr., Glenn Strange, and Bela Lugosi, in their classic roles as The Wolfman, Frankenstein’s monster, and Count Dracula. It was one of Lucas’s favorites, one he often fantasized about watching with Columbine.
“And for any of you asking the question, ‘Do the dead return?’ our answer is, ‘Of course! We’ll see you next year.’ Pleasant nightmares.”
The California high schoolers responded with enthusiastic applause.
It was the same every night, wherever the show played across America. Part of it, Lucas figured, was that the teens enjoyed the show. Part of it was that the clapping masked the fact that many were still shaking from the strange goings on. And part of it, of course, was that the movie would give the lovebirds in the audience time to nuzzle with their sweeties in the dark, well after midnight, with no more fear of being interrupted by spooks that had seemed just a little too real. It was best, Lucas knew, that they not think too much about card skills no one could acquire in a single lifetime, about a floating skull that could steal thoughts, about an impossibly fast Houdini Trunk escape, about a beautiful girl who could see into tomorrow, about a decapitated giant, dancing skeletons, or floating ladies.
Lucas flipped a switch and the film began. The projector lamp gave off a pleasantly familiar burning smell, and the filmstrip ratcheted noisily through the mechanism, casting the movie’s opening black and white images of London at night onto The Strand’s little screen.
Later, there was to be a cast party in the theater manager’s office. Perhaps at the party, among the manager’s framed movie posters of King Kong, Godzilla, and Attack of the 50 Ft. Woman, amid the hubbub of post-show chitchat, Lucas might muster the courage to tell Columbine how wonderful she had been this evening, or to invite her for a stroll along the dark beach, only a block away. In his fantasy they walked barefoot in the sand, the black waves slapping the beach, alone beneath a silver moon and a spray of stars.
Right, he thought. As if that were going to happen. Why would the flattery of a ten-year-old boy make the slightest impression on a girl who was already fifteen? Why would his beach-walk invitation hold the slightest interest to a girl who no doubt liked boys on the beach to be taller, with muscles? And what if he were older, more her age? Would she reject him anyway, prefer Eddie over him, or prefer someone else entirely?
And so, once again, Lucas knew that he wouldn’t even speak to her. Rather, just before retiring, at sunup along with the rest of the cast, he would extract his diary from his little traveling suitcase, and he would draw, for the day’s date next to her name, in his small neat hand, his evaluation of her performance: four perfect stars. Lucas Mackenzie—boy critic.
* * *
Meanwhile, none of the teenagers settling in for the movie, the munchies, or the smooching opportunity seemed to notice the scratching noise coming from the back row.
Gleefully entering notes into a little journal, and the only one of the audience who had pointedly not joined in the applause, was an adult named Harlan H. Hull. Mr. Hull—Doctor Hull to his colleagues and students—was ecstatic over his findings. He salivated over a possible book advance, a research grant, a guest appearance on television.
Dr. Hull chaired the Paranormal Studies Department at Bradbury College, a distinguished liberal arts institution in upstate Illinois. From the moment he had entered the theater, armed with a battery of electronic sensors that the FBI’s J. Edgar Hoover himself might have envied, Dr. Hull had been monitoring various energy fields.
At first there were only hints. The needle on his Graviton Flux Indicator had registered surprising variations in body mass. If a stage show cutie could lower her body density that far, she could pass right through solid objects. Could the trunk have been normal? The spinning mirror on his Extensible Luminosity Gauge had picked up abnormally low dermal reflectivities. Could the psychic girl have been that pale?
But then came conviction. Dr. Hull’s Remote Thermal Scanner 360 had provided the proof he had been chasing. With a pistol grip, a cross-hair gun sight, and a readout with glowing red numbers, the device resembled a hand-held Flash Gordon ray gun. The RTS 360 could measure body temperatures across a room to an accuracy of one tenth of one degree, and what Dr. Hull had determined was still making him shiver.
If his readings were correct, he knew what he had feared to know.
He now knew the talking skull had housed no hidden microphone, the trunk no secret panel, the guillotine no trick-shop blade. He knew the gyrating skeletons were not string puppets, the soaring phantoms neither magic lantern show nor chemically treated gauze.
For every member of the show—from Professor McDuff to the yakking skull to the pale girl to the big green guy to the dancing skeletons to those floating hussies—had a body temperature of exactly fifty-nine degrees Fahrenheit. The temperature of the grave. The room temperature of Eternity. In a word, everyone in this show was dead. There was no other way to say it.
They had no business gallivanting around on stage before children. They belonged under the dirt, under the sod, under the feet of the living. And he was the one to put them there.
“I’ve got you, my pretties,” Dr. Hull said aloud, twisting one of his long strands of white hair in his fingers. “At last, truth in advertising.”
The London Midnight Ghost Show?
Spooks run wild in the audience?
Do the dead return?
Yes, indeedy!
And he had the proof!

Chapter-by-Chapter-header---About-the-Author
Steve Bryant is a new novelist, but a veteran author of books of card tricks. He founded a 40+ page monthly internet magazine for magicians containing news, reviews, magic tricks, humor, and fiction; and he frequently contributes biographical cover articles to the country’s two leading magic journals (his most recent article was about the séance at Hollywood’s Magic Castle).

Connect with the Author: Website | Twitter | Goodreads
Chapter-by-Chapter-header---Giveaway
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A Place Halfway Book Blitz: Giveaway for a Clean Teen Publishing eBook and Bookmark Swag Pack

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Title:  A Place Halfway
Series:  SYNSK Series Book 3
Author:   K.C. Finn
Publication Date:  October 24, 2014
Publisher:  Clean Teen Publishing
Page Count:  229
Genre:  YA Historical Adventure
Content Warning:  Mild Violence
Recommended Age:  16+


Synopsis:  A struggling psychic girl steps out into the big, wide world amidst the murky depths of racial segregation in England, 1961.

As a teenage psychic, Josephine Fontaine knows what it’s like to be different. At Peregrine Place, a school full of youngsters with gifts just like hers, sixteen-year-old Josie is growing tired of her life and looking for excitement beyond the grand manor house’s walls. When an opportunity arises to work in a local music bar, she jumps at the chance, learning to balance her new job with the pressures of studying the ways of the Synsk.

There she meets the charming Tommy Asher, a fellow psychic with a talent for music, and Jake Bolton, a handsome, surly stranger with coffee-coloured skin. Throw in the return of her old crush Dai Bickerstaff, and Josie finds herself embroiled in a drama much bigger than she could have imagined, especially when certain parties take issue to her developing a friendship with a boy who isn’t white-skinned. When a mysterious record mogul offers Josie help to improve her psychic gifts, her world turns totally upside down, and she begins to question everything she thought she knew about the world, her family, and even herself.

Coming of age was never so intense as it will be for Josie in the winter of 1961.


Excerpt:


“When you’ve quite finished mumbling, young man,” Miss Cartwright said in her clipped tone.


A few people giggled as the boy sank into the seat beside me. He was smaller with the guitar absent from his back, and he seemed much less sure of himself here than when he’d been trying to convince Frost to let him play at Halfway. I reasoned that he must have recently come to the village ready to start school here and spotted the club on the side of the lane just like us. Miss Cartwright cleared her throat, commanding utter silence from the assembled kids.


“Answer me when I call your name,” she instructed. “Let’s make sure we have no dunces who have come to the wrong room.”


The boy looked down at his desk skittishly.


“Thomas Asher,” Miss Cartwright said.


The boy suddenly looked up again, eyes widening. “Oh, um. Yes, Miss,” he replied, “I mean, here, Miss.”


Miss Cartwright gave him her best glare, but said nothing more on the matter. She began to move across the room as she called out names, studying every face in the rows before her.


It’s Tommy actually, a voice suddenly said in my head. Only my nanna calls me Thomas.


I took a deep breath, pushing my mind towards his. Did I give you permission to speak in my head? I asked him.


Although I was tuning out of the room to speak with him, I could still see the outline of his face as he smiled at me; I was caught somewhere partway between reality and full psychic concentration.


Sorry, Tommy answered, but I certainly wasn’t going to whisper out loud with her staring at me. Scary woman, that one.


I tried my best not to giggle. You have no idea, I answered. She’s been teaching me for six years.


Not cool, Tommy replied.


A book suddenly slammed down on my desk. I leapt in my seat, my old, wooden chair rattling as I looked up into the thunderous face of my teacher. “Josephine Fontaine,” she said, her teeth gritted. “Are we in such a state of distraction that we can’t answer our own name on the register nowadays?”


I gave Tommy a withering glare, watching him bite his lip to hold back a laugh.


“Sorry, Miss,” I answered. “But you do know I’m here. I mean, it’s not as though we’re strangers.” I regretted adding the bit after the apology immediately.


“Oh no, we know each other very well,” she answered primly. “I suspect you’re going to be repeating this class until we’re both white-haired and wrinkled.”



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About the Author:

Born in South Wales to Raymond and Jennifer Finn, Kimberley Charlotte Elisabeth Finn (known to readers as K.C., otherwise it’d be too much of a mouthful) was one of those corny little kids who always wanted to be a writer. She was also incredibly stubborn, and so has finally achieved that dream in 2013 with the release of her first three novellas in the four-part Caecilius Rex saga, the time travel adventure The Secret Star and her new urban fantasy epic The Book of Shade.

As a sufferer with the medical condition M.E./C.F.S., Kim works part time as a private tutor and a teacher of creative writing, devoting the remainder of her time to writing novels and studying for an MA in Education and Linguistics.



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Clean Teen Publishing Links:



Giveaway Details:

There is a tour wide giveaway. Prizes include the following:

  • Reader's choice of Clean Teen Publishing eBook and bookmark swag pack. 
Giveaway is international. Enter through the Rafflecopter form below.

Thursday, October 23, 2014

THE BACHELOR By Stephanie Reed: Kindle Giveaway and Facebook Party!

Don't miss Stephanie Reed's newest book in the Plain City Peace series, The Bachelor. This compelling second book deftly weaves together the strands of a solid, simpler time with the turmoil of an era of change, revealing the strengths of both in its powerful narrative.

Join Stephanie in celebrating the book's release by entering her Kindle giveaway and RSVPing to her Facebook launch party on October 28th!

The Bachelor, Stephanie Reed
One grand prize winner will receive:
  • A Kindle Fire
  • The Bachelor by Stephanie Reed
Enter today by clicking the icon below. But hurry, the giveaway ends on 11/9. RSVP for the Facebook launch party today for a chance to connect with Stephanie and Amish fiction fans and a chance to win some great prizes! Winner will be announced November 10th here.


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Wednesday, October 22, 2014

Literary Addicts Weekly Meme: Writing in the 21st Century

It's time for the Literary Addicts Weekly Meme where each week we answer the question: What are you currently reading? Once in a while, I like to check out books to help me improve my writing. I work in a library and noticed that the following book has just come out. I'm a stickler for good grammar and spelling, so this book looks like a great read to me!

The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century
by Steven Pinker
About this book (from the Amazon page):
Bad writing can't be blamed on the Internet, or on "the kids today." Good writing has always been hard: a performance requiring pretense, empathy, and a drive for coherence. In The Sense of Style, cognitive scientist and linguist Steven Pinker uses the latest scientific insights to bring us a style and usage guide for the 21st century. What do skillful writers know about the link between syntax and ideas? How can we overcome the Curse of Knowledge, the difficulty in imagining what it's like not to know something we do? And can we distinguish the myths and superstitions from rules that enhance clarity and grace? As Pinker shows, everyone can improve their mastery of writing and their appreciation of the art (yes, "their").

CLICK HERE for links to the other bloggers participating in this meme to find out what they are reading! 

Disclosure: This post contains my Amazon affiliate link.

Tuesday, October 21, 2014

Book Review: The Brickmaker's Bride, by Judith Miller

About The Brickmaker’s Bride:
Yearning for a fresh start, Ewan McKay travels with his aunt and uncle from northern Scotland to West Virginia, promising to trade his skills in the clay business for financial assistance from his uncle Hugh. Hugh purchases a brickmaking operation from a Civil War widow and her daughter, but it’s Ewan who gets the business up and running again. Ewan seeks help from Laura, the former owner’s daughter, and he feels a connection with her, but she’s being courted by another man -- a lawyer with far more social clout and money than Ewan. Besides, Ewan has resolved he’ll focus on making the brickmaking operation enough of a success that he can become a partner in the business and be able to afford to bring his sisters over from Scotland.

But when Hugh signs a bad business deal, all Ewan’s hard work may come to naught. As his plans begin to crumble, Laura reveals something surprising. She and her mother may have a way to save the brickworks, and in turn Ewan may have another shot at winning Laura’s heart.

My thoughts:
This story takes place just after the Civil War, when many families have lost men in the war or men have returned and are in need of jobs. Unfortunately, Laura’s father does not return from the war, but he leaves a brickmaking business behind to support Laura and her mother. Since women rarely ran businesses of their own then, they sell the operation to Hugh Crothers, an abrasive man with a gambling problem and an intolerable, social-ladder-climbing wife. Fortunately, his level-headed nephew Ewan is there to keep things under control ... when Uncle Hugh and Aunt Laura don’t jeopardize everything. Laura is a strong and smart character who knows a lot about her father’s business and is eager to help Ewan make it a success. This shapes up into a love triangle as Laura and Ewan fight their growing attraction to each other while Laura is practically engaged to man of her mother’s choosing, who has political aspirations. Will Laura and Ewan be able to be together and save the brickmaking business? Surely, love will find a way… Author Judith Miller obviously did her research as she writes about the challenges of running a brickmaking business, as well as the rebuilding of lives after the Civil War. I learned a lot while also getting to know these fascinating characters. If you're a fan of realistic historical fiction, you'll love The Brickmaker's Bride.



Author Judith Miller is celebrating the release of The Brickmaker's Bride with a Kindle HDX giveaway and  a "Refined by Love" Facebook author event on November 4th.

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 One winner will receive:
  • A Kindle HDX
  • The Brickmaker's Bride by Judith Miller
Enter today by clicking one of the icons below. But hurry, the giveaway ends on November 4th. Winner will be announced at the Refined by Love Facebook Author Event. Connect with Judith for a fascinating evening centered around her new Civil War-era series. She'll be hosting a book club discussion, giving away prizes, answering your questions, offering an exclusive peek at the next book in the Refined by Love series, and much more!

So grab your copy of The Brickmaker's Bride and join Judith and friends on the evening of November 4th for a chance to connect and make some new friends. (If you haven't read the book, don't let that stop you from coming!)

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Don't miss a moment of the fun; RSVP today by signing up for a reminder. Tell your friends via FACEBOOK or TWITTER and increase your chances of winning. Hope to see you on the 4th!


Disclosure: I received a complimentary copy of this book from Litfuse to facilitate my candid review.

Night of a Thousand Stars Book Tour: Giveaway for the Paperback! #NightofaThousandStarsBlogTour #HistFic

02_Night of a Thousand Stars
Publication Date: October 1, 2014
Harlequin MIRA
Formats: eBook, Paperback
Genre: Historical Fiction

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New York Times bestselling author Deanna Raybourn returns with a Jazz Age tale of grand adventure...

On the verge of a stilted life as an aristocrat's wife, Poppy Hammond does the only sensible thing -- she flees the chapel in her wedding gown. Assisted by the handsome curate who calls himself Sebastian Cantrip, she spirits away to her estranged father's quiet country village, pursued by the family she left in an uproar. But when the dust of her broken engagement settles and Sebastian disappears under mysterious circumstances, Poppy discovers there is more to her hero than it seems.

With only her feisty lady's maid for company, Poppy secures employment and travels incognito -- east across the seas, chasing a hunch and the whisper of clues. Danger abounds beneath the canopies of the silken city, and Poppy finds herself in the perilous sights of those who will stop at nothing to recover a fabled ancient treasure. Torn between allegiance to her kindly employer and a dashing, shadowy figure, Poppy will risk it all as she attempts to unravel a much larger plan -- one that stretches to the very heart of the British government, and one that could endanger everything, and everyone, she holds dear.

Buy the Book

Amazon (Kindle)
Amazon (Paperback)
Barnes & Noble (Nook)
Barnes & Noble (Paperback)
Books-a-Million
iTunes
Kobo

About the Author
03_Deanna Raybourn
A sixth-generation native Texan, Deanna Raybourn grew up in San Antonio, where she met her college sweetheart. She married him on her graduation day and went on to teach high school English and history. During summer vacation at the age of twenty-three, she wrote her first novel. After three years as a teacher, Deanna left education to have a baby and pursue writing full-time.

Deanna Raybourn is the author of the bestselling and award-winning Lady Julia series, as well as, The Dead Travel Fast, A Spear of Summer Grass, and City of Jasmine.

For more information please visit Deanna Raybourn's website and blog. You can also find her on Facebook, Twitter, and Goodreads.

Night of a Thousand Stars Blog Tour Schedule

Monday, September 29
Review & Giveaway at Bookish

Tuesday, September 30
Review at Flashlight Commentary
Spotlight & Giveaway at Passages to the Past

Wednesday, October 1
Interview at Flashlight Commentary
Spotlight at Svetlana's Reads and Views

Thursday, October 2
Review at Ramblings From This Chick

Friday, October 3
Review at Book Babe

Monday, October 6
Review at Unabridged Chick
Spotlight & Giveaway at Reading Lark

Tuesday, October 7
Review at Candace's Book Blog
Interview & Giveaway at Unabridged Chick

Wednesday, October 8
Review at Good Books and Good Wine

Thursday, October 9
Excerpt at A Book Geek
Guest Post & Giveaway at Good Books and Good Wine

Friday, October 10
Review at History From a Woman's Perspective

Monday, October 13
Review at A Chick Who Reads

Tuesday, October 14
Review at Reading the Past
Spotlight at CelticLady's Reviews

Wednesday, October 15
Review at The Lit Bitch
Review at WTF Are You Reading?

Thursday, October 16
Review at A Bookish Affair

Friday, October 17
Interview & Giveaway at A Bookish Affair

Monday, October 20
Review at The Life & Times of a Book Addict
Excerpt at Historical Fiction Connection

Tuesday, October 21
Review & Giveaway at Bookshelf Fantasies
Spotlight & Giveaway at Susan Heim on Writing

Wednesday, October 22
Review, Excerpt & Giveaway at Just One More Chapter

Thursday, October 23
Review at Musings of a Bookish Kitty

Friday, October 24
Review at Curling Up By the Fire

Monday, October 27
Review & Giveaway at Let Them Read Books

Tuesday, October 28
Review at To Read or Not to Read

Wednesday, October 29
Review & Giveaway at Bibliophilia, Please

Thursday, October 30
Review & Giveaway at Historical Tapestry


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GIVEAWAY

One lucky winner will receive a paperback copy of Night of a Thousand Stars, by Deanna Raybourn. This giveaway is open to US residents only and ends at 11:59 PM EST on November 4, 2014. Enter through the Rafflecopter form below.